Obviously it's pretty much the best day ever.
Sadly, no real plans. As excited as I was for Halloween, it ended up still sneaking up on me, and leaving me with no time to do any of the things I was hoping to do.
Oh well, we have pumpkins to carve and candy to gorge on, so what more is really required? And maybe some crappy horror to watch, of course!
And I'll post a review, too.
Disclaimer
Disclaimer: My reviews of media here do not mean that I lay any claim to the media in question. All reviews are entirely subjective. I may talk about how well the movie objectively works in my opinion, but it essentially all comes down to what I think of the movie. My liking a movie is not the same as thinking it's a great movie. If I trash a movie that you love, or love a movie you can’t stand, it’s not because I hate you. Also, all reviews are likely to contain SPOILERS. If you haven’t seen the movies in question and don’t want to know what happens, then you probably shouldn’t be reading about them here. Finally, a blanket trigger warning for people who don't want to read about common horror movie content such as sexism, racism, violence, etc.: I will likely discuss all of the above when they show up in the films I review, so please tread with caution. Check out this post for more on how my reviews are set up.
Monday, October 31, 2011
Sunday, October 30, 2011
Horror Movie Reviews: The Descent Part 2 (2009)
Acting: B
Writing: C
Story: C
Technical
aspects: B
Effects: B-
Directed by:
Jon Harris
Starring:
Shauna Macdonald
Gavan O’Herlihy
Natalie Jackson
Mendoza
Krysten Cummings
Particular
trigger warnings: none I recall
Passes the
Bechdel test? Yes.
This movie felt
pretty “meh” to me. In all honesty, I was pretty bored through most of it.
The
Descent Part 2 is a
sequel to the 2005 film The Descent.
HEAVY SPOILERS FOR THE DESCENT
FOLLOW: The basic plot of the first film is that six friends (all female) go on
a caving trip together in the Appalachian mountains. There’s a cave-in,
trapping them in the unexplored cave system where there’s no hope of rescue.
Turns out that the cave system is occupied by a humanoid species referred to as
“crawlers” who violently kill the girls one by one. Finally, two girls remain,
Juno and Sarah. Some drama has happened, with Juno being responsible for one of
the other girls’ deaths, plus being the one at fault for tricking them into
going to an unexplored cave system, and it’s also been revealed that Juno had an affair with
Sarah’s late husband, so Sarah attacks and wounds her and leaves. It’s implied
that Juno dies off-camera, with an abruptly silenced scream, and we see Sarah
escape. But then her escape is revealed to have been a hallucination, and the
movie ends with her sitting oblivious below ground and the crawlers getting
closer. I actually liked the first movie pretty well, and it's been on my re-watch list for some time.
The
sequel picks up with it being revealed that actually Sarah (Shauna Macdonald) has somehow made it out, and she stumbles into the road and is picked up by a
motorist who takes her to a hospital. Sheriff Vaines (Gavan O’Herlihy) has the
blood on her clothing tested. Upon finding that some of it belonged to Juno
(Natalie Jackson Mendoza) he insists that Sarah take them back through the
caves to find the other girls.
The
sheriff puts together a team consisting of himself, his deputy Elen Rios
(Krysten Cummings), and three (pretty non-descript) “specialists” – Dan
(Douglas Hodge), Greg (Joshua Dallas), and Cath (Anna Skellern). They go
through a newly discovered entrance to the cave system through a mineshaft
operated by a man named Ed Oswald (Michael J. Reynolds).
Once
down in the caves, Sarah has a flashback and strikes out at the others before
fleeing. Sheriff Vaines chases after her, but encounters a crawler, which he
fires at, and he causes a cave-in. Cath is separated from the rest. The three
still together – Elen, Dan, and Greg – find a video camera from one of the
girls in the first movie, and they see that the girls really were attacked by
the crawler creatures. Then they themselves are attacked by crawlers, and are
separated.
Sarah
and Elen meet up, and witness a crawler killing Dan. Cath and Greg reunite
elsewhere and keep going, but are both eventually offed. Vaines is still going
deeper into the caves, and he is almost killed before he is rescued by Juno,
who somehow has survived, and in the few days since the previous movie has
become particularly skilled in killing the crawlers. The four survivors meet
up, and while Juno and Sarah start fighting, then they decide that maybe they
should save it for later and just try to escape now. Juno says she can lead
them to the exit, and Vaines handcuffs himself to Sarah so she can’t abandon
them like he claims she did Juno. On their journey, he falls over a cliff, and
Elen cuts off his hand letting him fall and die in order to save Sarah.
Finally,
the three remaining women are within reach of the exit, but as they try to
sneak past a group of crawlers, Greg is revealed to be barely alive and he
grabs Juno. She screams, he dies, the crawlers attack. Juno ends up wounded,
and dies in Sarah’s arms. Elen and Sarah are horribly outnumbered, but Sarah
sacrifices herself so Elen can escape.
Elen
gets out, but then Ed, the man who was operating the mineshaft elevator,
attacks her and drags her back to be food for the crawlers. The movie ends with
a crawler leaping at her.
It’s
hard to really pick out what exactly was BAD about this movie, except that I
found it boring and it didn’t really hold my interest at all. I had to keep
forcing myself to stay awake. The acting is all right, but the story was just
dull. The three “specialist” characters felt unnecessary, and like they were
only there for padding the length of the movie with their respective death
scenes. I don’t have any lasting impression of their characters or any
development they got, and can’t really think of anything that made them
necessary to the story. I guess it’s better that this is called “part 2” rather
than being billed as a real sequel. It seems to be trying to repeat the success of the first film by
doing the same things, but that really is just more repetitive than anything
else; predictable death scenes spaced out by boring stretches of travel devoid
of tension because we’ve already been here and done this.
I
also had a hard time getting past how clumsily it fits with the original. Both
Juno and Sarah die in the end of the first movie, and it’s never explained how
either of them actually escaped and survived. Despite the fact that Sarah was
shown to be hallucinating images of her dead daughter, too far into the cave to
possibly get out, while she was being surrounded by crawlers, she still managed
to escape? Somehow, despite being horribly wounded and constantly hunted by
creatures that hunt partially by scenting blood, Juno has survived for days and
in that short time has become an expert at hunting and killing the crawlers?
And she knows where the exit is, but hasn’t tried to get out herself? This
didn’t feel well explained at all. (I realize that there were apparently
alternate endings to the first film, and my review is based on the ending that
I saw, which was the standard version on the DVD I watched.)
The
cinematography is good, and it feels dark and closed in like being in the
caves. The effects weren’t bad, but the creature design of the crawlers was
changed from the first movie. The change wasn’t good, in my opinion. The first
movie had them looking like creepy, pale, slimy, eyeless things that had
evolved underground… exactly what they were supposed to be. For the sequel,
according to the designer, “Jon [the director] wanted them more viciously
feral, inbred, scarred and deformed, with rows of sharklike teeth for ripping
flesh.” The result to me looks… gargoyle-like. Less like a real species that
could exist (and is therefore creepy or scary,) and more like a Halloween monster mask (which is not so creepy.) Their faces are wrinkled
with broad noses and pointed ears. They have eyes and can clearly see. The
wikipedia article on the first movie has a good comparison of the two designs,
which I’ll copy-paste here:
I
would definitely recommend the first film (which wasn’t perfect, but probably
would get a B+ from me) more than the second. If you really like the first one,
and find yourself desperately wanting more, the second may provide that. But in
my opinion it does so clumsily, and doesn’t add anything new to an interesting
scenario.
Dear internet...
I'm pretty disappointed in myself, not gonna lie. I was all set to have October be the month that I got my shit together on this blog, and then... well, you can see how well that went. Real life wound up taking almost all of my attention, and everything else kind of fell apart. Trying to get back in gear with it though, so expect a (real) post later today.
Monday, October 10, 2011
Horror Movie Reviews: CrossBones (2005)
Acting: D
Writing: F
Story: F
Technical aspects: D
Effects: F
Directed by:
Daniel Zirilli
Starring:
Joseph Jones
Maria Santos
Joseph Marino
Jessie Camacho
Mayra Soto
Hardy Hill
J-Shin Kinshu
Merlynne Williams
Particular trigger warnings: rampant racism
This was… not a good movie. And my reaction is in with the
summary, so spoilers abound throughout the whole writeup, to a greater extent than usual.
Basic
plot… A producer for reality TV has started a new show on an island where six
contestants will compete for $100,000. In addition to the six contestants,
there’s one camera guy, the producer, and the producer’s high-maintenance
bitchy girlfriend. But naturally the island is CURSED. Because centuries
before, the dreaded pirate Redblood was cursed by some (oddly English-speaking)
Savage Native Voodoo-types, so he’s still around and going to get his revenge.
Or something.
I
get the feeling the movie is intending self-parody, but it just comes off as stupid.
The majority of the characters are one-dimensional reality TV stereotypes: the
Black gansta rapper “Greedy G”, the bitchy made-of-attitude-and-promiscuity
Black girl, the ditzy blonde who probably doesn’t have a coherent thought
through the whole film, and the dumbass guy who is only “there for the ladies”
and whose every line consists of wanting everyone to be naked, or referring to
his penis as “The Monster.” And the two biggest “stars,” the two characters
we’re apparently supposed to like and who show shallow attempts at character
development, are played by actual reality TV stars! Hardy Hill was in “Big
Brother” and “Miami Social,” and Jessie Camacho was on “Survivor.”
Fabulous
racism and sexism abound. Again, I’m sure it’s striving for witty self-parody,
but it fails pretty astoundingly. All the women except for one are shallow and
materialistic, as well as being portrayed as sluts who sleep around solely to feed the
materialism, and every shot of the women is obviously for tits and ass. If you
enjoy that, this movie may be for you, but this went beyond even much of the
usual fanservicey pandering. The Black woman is nasty to everyone, the Black
man is shown as unintelligent and violent, and immediately starts in with how
if he was the black woman’s pimp, she’d be missing teeth. The obvious racism is
probably meant to be tempered by a line between the “producer” and the
cameraman, in which the producer tells him that “angry Black people make good
television” and the cameraman protests that “they aren’t really like that.” But
the movie definitely doesn’t fall under “clever social commentary” so much as
“really fucking stupid and offensive.”
And
Redblood is not anything near a convincing pirate. He looks like he should be
stumbling around a Renaissance Faire at best. His rather unplaceable accent
comes and goes, his dialogue sounds like a high schooler on
talk-like-a-pirate-day, and it’s just poorly acted in general.
The
beginning of the film where we get scenes of Redblood on his piratey ship doing
piratey things appears to have been filmed on a boat that they weren’t allowed
to take away from the dock. When he makes his daring escape from prison, it’s
done on a bright blue rowboat (with an obvious hookup for a motor) on what
appears to be a mid-sized lake rather than the ocean blue.
The
deaths are predictable and not especially satisfying, even considering how much
I hated all the characters. The gore is unconvincing, so even if that’s all
you’re there for, it’ll likely still be disappointing. It’s badly filmed and
the sound sometimes gets annoyingly quiet, only to be back to full volume
mid-conversation. The acting is awful, with only a slight excuse that it’s
supposed to be “reality TV,” the characters are ridiculously horrible, it’s
badly written… I wavered between giving this a D- just for the fact that I was entertained by how bad it was, and a full-on F. But I have to go with F.
Tuesday, October 4, 2011
Horror Movie Review: Biophage (2010)
Acting: C
Writing: C
Story: B
Technical aspects: B-
Effects: C
Directed by:
Mark Rapp
Starring:
Aaron Jackson
Ron Marnich
This one is better than a lot of zombie movies I’ve seen
lately - it doesn’t fall into a lot of the clichés of the genre, and I had fun
watching it - though it has its share of flaws.
It’s a pretty basic viral-style
zombie movie, where the world has been taken over by “Biophages.” A team made
up of Sgt. Cain (Aaron Jackson) and Dr. Bell (Ron Marnich) are on a mission for a
military lab to try and find data on the outbreak from the CDC. We join them on
their journey after they’ve found the CDC deserted, and they’re just trying to
get back to their military lab. It’s a bit refreshing that we join them after the zombie
apocalypse is already underway. Rather than go through the motions of the
characters having to “discover” that the undead have turned into flesh-hungry
monsters (a fact that the audience generally already knows) we’re essentially
already on the same page with our mains.
As the movie continues, and the
pair try to get back to the scientists working on a cure in their lab, they
primarily find themselves coming up against human survivors that are far more
dangerous than the ‘phages have ever been, including a Vietnam vet who has
turned to cannibalism, a preacher who has gone mad thinking he can save the
biophages’ souls, and the doctor they’re working for who wants to get rid of
Cain because Cain had an affair with his wife. It is nice to see some focus on the humans rather than exclusively on scene
after scene of repetitive zombie attacks, but coupled with the “What has
humanity become?” tagline on the box comes off as a bit pretentious, as if it’s
a novel concept to try and examine the dark side of humanity.
I also think the end was a bit of a
let-down in that it felt like it was trying to be shocking, but to me at least
came off more as “well, that happened.”
While the cover and the still shots
on the back of the DVD case are in color, the movie itself is shot in black and
white. This was unexpected at first, but I think works in the movie’s favor.
Considering the obviously low budget of the film, it may have saved them from sub-par effects or lighting issues, and honestly keeps the movie looking pretty
clean in terms of tech, as well as giving it a bit of an “old war movie” vibe.
The cinematography was pretty good too. Not anything revolutionary, but the
shots were framed well, and gave it a much more professional feel than most
movies in this budget range.
My biggest complaint was probably
the sound. The acting of our mains is all right, though a lot of the side
characters leave something to be desired. But the dialogue is clearly dubbed in
later (or it's been heavily altered in post-production.) The dubbing is synched well, but it means that all the voices are at the
same level, and tend to be devoid of much volume-related inflection. This is
preferable to some crappy films where you can’t hear what’s going on, but I
don’t think I was ever able to forget that I was watching a movie. The sound
was jarring the entire time, and so I was never able to be entirely absorbed in
the film.
Overall, I think the movie was
good. Not the best I’ve seen, but it looked professional and clean, was pretty
enjoyable to watch, and was different (and better) than the majority of
straight-to-video zombie films out there.
Monday, October 3, 2011
Halloween is AWESOME.
So it’s now October, and I have to take the opportunity to
say: I fucking LOVE Halloween. Overcommercialized though it may be, it is one
of my very favorite holidays. Pumpkins, bats, spiders, ghosts, horror movies,
costumes, free candy… BRING IT.
[And to anyone who loves horror films: SyFy
is doing their “31 Days of Halloween”, so you’ve got a couple freebie horror
films each night if you’re so inclined. Edited awkwardly for language and
boobs, but generally still including all the gore and most everything else.]
And as my blog (ostensibly a HORROR blog) languishes, well,
I suddenly see an opportunity to get my ass in gear. “It’s October and Halloween is the shit” seems like
as good a reason as any to start working through the backlog of movie reviews I’ve
built up for myself. So I’m going to try to start posting with… well, still an
irregular schedule. But one that involves actually posting! I already cocked up
the “post a day” idea, but maybe I can manage two or three posts a week (which
was my original intent for this blog.)
Friday, July 29, 2011
The Way My Reviews Work:
Since I've developed a pretty healthy backlog of posts that I just haven't bothered to actually, well, post, I figure I should get on that.
But first! A brief note on how my reviews are set up.
These reviews are a mix between subjective and objective factors. How much I enjoyed the movie definitely goes into how high I grade it, but I also look at some more concrete or objective criteria. Generally I grade things on:
Acting. Pretty self-explanatory. How well did the actors do?
Writing. How was the dialogue? How well did the story progress? Did the actions seem natural or realistic, or clumsy and unlikely?
Story. Is this a good or interesting story? This isn't the same as writing; an excellent story can be ruined by shittacular writing, and a well-written film could still potentially have a pretty inane or unoriginal story.
Technical aspects: How good are things like cinematography and sound direction? If the video quality or sound quality is low, that can be a serious blow for the film.
Effects: Most films have some form of special effects, whether it's makeup or CG or costuming. They can range from laughably awful to really amazing.
Finally I give an Overall rating for the film, which is how I felt about the film as a whole. This usually works out to be an approximate average of the other categories, but may be edged up or down based on my own personal enjoyment.
I went back and forth for a while on whether I'd give things scores based on a 1-5 stars scale, a 1-10 stars scale, or a letter grade scale. I decided to go with letter grade. The vast majority of my reviews are in the B, C, or D categories, simply because my standards for As and Fs are pretty high (or low.) I have to really like something for it to be an A, and something has to be near unwatchable in all ways for it to be an F. A tends to be a film that I think is near-perfect, or is endlessly rewatchable for me. Bs are movies that I really enjoy, and would possibly own or at least want to see again. C is pretty average, a movie that is okay but not especially good. D means it's pretty bad, but has something at least slightly redeeming about it. Fs are so awful that I either can't finish them or wish I could purge them from my memory. There are also +/- grades thrown in.
Most of my reviews are split into two basic sections, one with a summary of the movie and another with my thoughts on it. The summary part will almost always contain serious spoilers and my reaction may as well.
An exception to much of the above is if I do a quickie review. These generally happen when I realize that I've waited too long to write a review, and I realize that I might not remember enough detail about the film to give it a fair in-depth review. However, I can still give an overall grade and a few comments on the things I do remember liking or hating.
An exception to much of the above is if I do a quickie review. These generally happen when I realize that I've waited too long to write a review, and I realize that I might not remember enough detail about the film to give it a fair in-depth review. However, I can still give an overall grade and a few comments on the things I do remember liking or hating.
On some of my reviews I’ll include specific trigger warnings or other things like that. Please DO NOT consider these to be exhaustive lists. Sometimes I don’t include these lists at all, and sometimes I may either forget something or simply may not consider it as a trigger. I generally won’t warn for things like violence, gore, sex, etc. because those are pretty par for the course with horror.
I also sometimes note things like whether the film passes the Bechdel test. If I fail to include that, it doesn’t necessarily mean that the film doesn’t pass it. Again, sometimes I don’t recall, sometimes I just forget to include it. But I think the ones that do pass spectacularly deserve recognition! It’s far too rare, unfortunately.
Most of this explanatory post is probably entirely unnecessary, but in case you were unsure of what exactly I meant by "technical aspects", what the hell the "Bechdel test" is, or just what my basic format is... well, there you go.
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