Disclaimer

Disclaimer: My reviews of media here do not mean that I lay any claim to the media in question. All reviews are entirely subjective. I may talk about how well the movie objectively works in my opinion, but it essentially all comes down to what I think of the movie. My liking a movie is not the same as thinking it's a great movie. If I trash a movie that you love, or love a movie you can’t stand, it’s not because I hate you. Also, all reviews are likely to contain SPOILERS. If you haven’t seen the movies in question and don’t want to know what happens, then you probably shouldn’t be reading about them here. Finally, a blanket trigger warning for people who don't want to read about common horror movie content such as sexism, racism, violence, etc.: I will likely discuss all of the above when they show up in the films I review, so please tread with caution. Check out this post for more on how my reviews are set up.
Showing posts with label legends. Show all posts
Showing posts with label legends. Show all posts

Sunday, March 25, 2012

Horror Episode Review: The River, Episode 8

Episode 8: Row Row Row Your Boat

Overall: C+
Acting: C+
Writing: C
Story: C
Technical aspects: C+
Effects: B



Directed by:
Gary Fleder

Starring:
Joe Anderson
Leslie Hope
Eloise Mumford
Paul Blackthorne
Daniel Zacapa
Pauline Gaitan
Thomas Kretschmann
Shaun Parkes
Bruce Greenwood
Scott Michael Foster

So. Yeah.

            Having found Emmet Cole (Bruce Greenwood), the crew of the Magus is finally heading for home, intending to leave the Boíuna (the bizarre portion of the river they’ve been on) far behind them. Clark (Paul Blackthorne) gets involved with doing some final interviews for the crew, and speaks about how he’ll edit the video together for his TV show once they get home. Emmet, while surprised that the Boíuna and the related supernatural entities saved his life, seems to feel his quest was a mistake. He believes that the paranormal events that occurred really were warnings that he should have heeded. Lena (Eloise Mumford) desperately wants to know how she’s connected to everything, with her suspicious birthmark, but Emmet tells her to forget it, that he was wrong in thinking that the two of them had some special destiny related to the place.
            While Lincoln (Joe Anderson) and Emmet converse on deck, someone fires a shot at Emmet, but misses and fatally wounds Lincoln. The crew is unsuccessful at finding out the culprit since many have motives; Clark is in love with Tess, Jonas (Scott Michael Foster) was abandoned by Emmet, Kurt (Thomas Kretschmann) was overheard planning to kill Emmet (though he insists he’d never have missed the shot), Lena’s father died because of Emmet’s quest…
            [Spoilers ahead!]
            Against Emmet’s wishes and the wishes of her own father, Jahel (Pauline Gaitan) involves Tess in a ritual to call Lincoln’s spirit back to his body. The ritual involves calling on the Boíuna, which is not only the stretch of river, but is also an entity that is “God of Demons,” to return Lincoln’s spirit. Initially it seems to work, and Lincoln awakes, and says it was Kurt who shot him. Kurt is locked away by the crew. But then when alone in the kitchen with Jonas, Lincoln reveals that he actually saw Jonas shoot him. Then Lincoln kills him with seemingly supernatural strength. An obviously not-himself Lincoln also confronts Kurt, speaking German, telling him that Kurt isn’t needed to protect The Source; Lincoln (or the thing in his body) is enough.
            Meanwhile, Emmet realizes that this can’t really be Lincoln; he’s too affectionate towards Emmet, when they haven’t been on good terms since Lincoln’s childhood. Emmet gets Lena to make Lincoln drink something, which sickens him and proves demonic possession.
            It turns out the Boíuna is also possessing his body, though Lincoln’s spirit is there as well. The demon taunts them, especially Emmet and his lack of knowledge about Lincoln, and assaults Lena, thwarting their attempts at an exorcism. Eventually they speak to Kurt, as he had his own reasons for being in the region. He tells them he won’t attack Emmet, and then explains that a demonic possession can only be fought from within; Lincoln has to will the Boíuna out of his body. Speaking to Lincoln, they give him enough strength to take his body back.
            Afterwards, Emilio (Daniel Zacapa) speaks to Jahel, telling her why he’s tried to keep her from using her gifts. Her mother, who she believed to be dead, was driven mad by the voices of spirits demanding her help. He hasn’t wanted the same fate for Jahel.
            Soon they approach the end of the Boíuna, intending to rejoin the main Amazon, and a small village. But things aren’t where they’re supposed to be! And they lose the link to the satellite map! Sending up a sky camera, it’s revealed that the forest and river are literally changing in front of them, and it will not allow them to leave.
            [End of serious plot spoilers. But spoilers will continue in my reaction below.]

            So. This is how this season ends. The episode isn’t really all that bad. The demonic possession thing is at least fitting with the rest of the series. And quite honestly, the effects of Lincoln twisting around while possessed have been some of the better ones in my opinion. Characterizing the Boíuna as both an entity and a location simultaneously is cool; it strikes me as at least feeling rather authentic to the region, even if the specific entity in question isn’t a real figure. (And I do not know if it is or not.)
            However, for a show that has a questionable future, this was an immensely unsatisfying ending. Literally just about nothing has been wrapped up or given explanation. Leaving some things to interpretation or as mysteries is one thing, especially if there’s a definite future for the series to continue with, or if something being unexplained has some sort of point. But this is pretty much NOTHING, verging into the territory Lost infamously fell into with “we just didn’t plan this shit out!” Other than some random things like Clark doing final interviews, this didn’t in any way feel like a season finale. Not that I was expecting (or wanting!) it to end with them all surviving and making it home, but that this feels just like an episode from the middle of a story somewhere, with no real sense of closure whatsoever.
            A few of the things we’re left wondering about: What is with Lena’s birthmark, and the prophecy tied to it that Emmet believed in? What exactly is The Source? Why was Emmet’s life spared if the Boiuna won’t allow them to leave? Is there more explanation about the “angel-like” Zulo tribe? Why is Kurt there, and what is his connection to the area from before the series? What was with the research facility Mina had infiltrated, and how/why did they turn into zombies? Who locked the demon in the Magus, the one they found in the very first episode? If they never make it off the river, how are we viewing “found footage” from their tapes? And this is not an exhaustive list.
            In having none of these things explained, it feels like many of them had no purpose whatsoever. “The Source” was kind of downplayed here, with the Boíuna itself being the entity responsible for at least some of the paranormal things, contrasted to episode 6 when it was played up as what Emmet had devoted his life to finding. The symbol on the necklace Emmet gave to Lincoln, which is also Lena’s birthmark, which was also seen on the body of Zulo tribesman in the research facility… that and the supposed prophecy have never been relevant to the plot! So why were they in there at all? Why have a forced camera footage feel, which was often a detriment, feeling contrived and awkward, without having any plausible way for the “found footage” to actually be found?
            Now, the series isn’t officially cancelled. But it isn’t renewed officially yet, either. Viewership has been pretty low and declining, which I can’t really fault audiences for considering how disappointing most of the episodes have been. Apparently there are talks to move the show to Netflix’s streaming service for future episodes/seasons. And there’s no guarantee that even if someone makes more of the series that it’ll follow the same characters.
            If this episode came in the middle somewhere, this would probably be one of my favorites. The demonic possession was fitting for the series, and was well handled. I liked Joe Anderson’s acting between Lincoln as normal and in his possessed state – it was subtle enough until the attempted exorcisms that it didn’t seem ridiculous, but the difference was obvious. The rest of the acting was competent, though not perfect. Like I said, the effects were pretty good this time, and the story was engaging. If this had been “just another episode” it’d be a solid B. But as it is, it’s such an unsatisfying ending to the season (and maybe the series) that I have to knock it down just a bit. C+ still seems generous for how unfulfilling it was as a finale, but I did enjoy the episode, and don’t want to let feelings on the series as a whole color that too much.

            Because as a whole, the series disappointed me. The quality was very all over the place, straying from subtlety to over the top ridiculousness in almost every aspect, from acting to writing to effects to story. Some of the characters are intriguing; I’ve grown to like Kurt quite a bit, and Jahel is great when she gets to do something besides provide plot-relevant exposition. The understated drama and implication that Emmet focused too much on Lena because of her birthmark, and that being the cause for the emotional distance between him and Lincoln had potential, especially if Lena was going to have some type of special “destiny” that Lincoln didn’t. But the lack of consistency, not to mention dangling plot threads, is a huge problem for the series. While my individual episode grades have ranged from average (C), to slightly above average (B-), the series as a whole would probably wind up more with a C-. Not quite bad enough for a D, but still below average, because of all that inconsistency and wasted potential.
            Additionally, this feels like exactly the wrong length for this story to be. It could have been a decent movie, and could have lost a lot of the irrelevant filler that so many earlier episodes contained. Or it could have been a better long-form series, where episodes focusing on single legends, areas, or creatures would be more appropriate, and episodes could be devoted to character development without sacrificing so much of a limited amount of time. Of course, there’s the possibility that the series will continue and will wrap up all the loose ends I’m complaining about. But there’s also a possibility that it will do no such thing. And even if it does come back to wrap things up and maybe even gain some consistency… will enough people still care?

Friday, February 24, 2012

Horror Episode Review: The River, Episode 3

Episode 3: Los Ciegos

Overall: C
Acting: C
Writing: C-
Story: C
Technical aspects: B
Effects: C+



Directed by:
Michael Katleman

Starring:
Joe Anderson
Leslie Hope
Eloise Mumford
Paul Blackthorne
Daniel Zacapa
Pauline Gaitan
Thomas Kretschmann
Shaun Parkes
Bruce Greenwood

In Episode 3, the crew is still seeking to rescue Emmet Cole. They hope that they have some kind of new lead, and go into the jungle. Unfortunately, when they stop for the night, it becomes clear that something is following them. Jahel, who has the most knowledge of the superstitions and legends of the area, believes that they’re being followed by the Morcego, a semi-paranormal/semi-real tribe that will judge whether they are worthy of survival or not. (Since it’s this show, of course she’s right.) After spending the night in the jungle, one by one they start to go blind. Seeking answers on the boat, they find out that it’s probably a poison, which has an antidote, if they can find the right tree. The few non-blinded members set off to seek out the antidote. Meanwhile, everyone on the boat has gone blind, including Lincoln, who is trying to tend a very severe wound of Clark’s. And of course the Morcego are on the ship as well, threatening to kill them. And meanwhile on the expedition off-boat, the cameraman A.J. is the only one who can still see, but he plans on abandoning the others. Ultimately he finds the antidote, though he has to face what turns out to, of course, be his most paralyzing fear in order to do so.

Spoilers for the episode: seriously, this crappy ending bugs the hell out of me. Simultaneously A.J. and Clark do something self-sacrificing. Cool. And this means that the Morcego decide to let them live, going so far as to actually save A.J. from death. But… really. It’s just so… cliché, yes? The idea that “oh, we’re so doomed, oh God, what will we do? We’re all going to die, because we’re being judged” but then oh, someone is willing to be a martyr, so everything is okay again, because of the goodness of the human spirit. It’s just so obvious and such an overplayed trope that I couldn’t take it seriously. End of the most serious spoilers.

Otherwise the episode is all right. I liked the development A.J. got as a character, since we didn’t see much of him in the first two episodes. Enough new hints were placed for some of the ongoing plot threads to keep it interesting. The Morcego were pretty creepy looking, though they held to the idea that “the less you see the scarier it is” for most of the episode. Once you do get a good look at them, they’re plenty freaky, but kinda in the same way the dolls in episode 2 were. Like it’s just so obviously done specifically TO be creepy, that it doesn’t feel surprising or real. I know that horror obviously has the aim to be horrifying, but something about this just feels like they’re doing it wrong. I’m not sure I can explain what I mean all that well... But in my opinion (for the kind of horror this seems to want to be,) doing it right would be a good atmospheric horror, where it’s unsettling and creepy and the horror serves to further the story. Where ultimately, the story is most important, it just happens to have a bunch of creepy happening, too. And this feels more like they just wrote a story with the intent of tying various creepy things together, so they can point and go “hey, it’s horror!”

I’ve heard a lot of “OH GOD, THIS IS THE WORST THING EVER PUT ON TELEVISION” opinions, and I think that’s kind of an exaggeration. It’s still entertaining enough and has a few legitimately creepy moments, but it’s also kind of underwhelming. Probably especially so if you’ve seen a lot of horror things in the past. My opinion hasn’t changed much since the first couple episodes. I’m still watching, and still want to see more, but this episode definitely felt weaker than the first two, and that’s not what I hope for out of a short series.

Sunday, February 19, 2012

Horror Episode Review: The River, Episodes 1 and 2

Two reviews in one! Mostly because they were presented together as the pilot.

 
Overall: B-
Acting: C
Writing: B-
Story: B
Technical aspects: C
Effects: C



Directed by:
Jaume Collet-Serra

Starring:
Joe Anderson
Leslie Hope
Eloise Mumford
Paul Blackthorne
Daniel Zacapa
Pauline Gaitan
Thomas Kretschmann
Shaun Parkes
Bruce Greenwood

In the 80s, Emmet Cole (Bruce Greenwood) starred in a wildlife/exploration/nature show along with his family: his wife, Tess (Leslie Hope,) and son Lincoln (played as an adult by Joe Anderson.) A bit later in life, he continues to go on expeditions, eventually at the expense of the relationships with his family. Six months before The River begins, he goes missing on a trip to the Amazon. Just as his family, in particular his estranged son, are coming to terms with his assumed death, a signal from his beacon is received, giving hope that he or some of his crew may be alive. The company that originally funded his show will even fund an expedition to go recover the beacon and possibly Emmet himself, but only if they can get his family and some of the rest of the original group involved with the show to go along.
Lincoln reluctantly agrees. So he; his mother; Clark (Paul Blackthorne), the producer of the old show; Lena, the daughter of a cameraman who went missing along with Emmet; Emilio (Daniel Zacapa), the mechanic of Emmet’s old ship; Jahel (Pauline Gaitan), Emilio’s daughter and assistant; Kurt (Thomas Kretschmann), a security and bodyguard; and A.J. (Shaun Parkes), the cameraman; all head off to the Amazon.
Creepy things happen from the outset, as they find the beacon underwater, with no sign of the crew. Then the ship is found along with some very disturbing tapes recorded by Emmet. Eventually things stray to the downright paranormal, with a demon spirit locked on board the ship, eventually giving Tess the belief that Emmet is still alive.

Much of the first episode is devoted to introducing the characters, which I appreciate was done with at least moderate non-awkwardness. It’s not perfect and seamless by any stretch, as there were some moments I was still very aware that I was being fed exposition. However, I can certainly imagine it being far worse.
The show is set up as being a mix between the Crocodile Hunter style nature show of Emmet Cole’s from the 80s (and I love how very 80s they make those clips feel), a found footage narrative in the style of The Blair Witch Project or Paranormal Activity, and the reality TV show that Clark and the studio are intending this to be. I don’t know if this is intentional, but I think it’s kind of in a way a wonderful commentary on how TV has changed over the last couple decades. As a kid, I loved nothing more than the Discovery Channel and NatGeo and such, with their nature documentaries and exploration shows. Now, almost everything, including those same channels, has moved into the realm of “reality TV” and that kind of contrived drama. I like that the same progression from “educational, and people enjoy it” to “cheap and contrived drama, and people enjoy it” is visible in the fictional production company.

Episode 2 begins with Jahel being possessed by Emmet’s spirit. She realizes that he must still be alive, even though he wants them to leave for fear of them being in danger. Tess and the crew set out to try and find him, based on clues from the countless (but unorganized) tapes of his expedition. With one idea of where to go, the group sets off and finds a very creepy tree covered in children’s dolls. Lincoln even finds a childhood toy of his own there, meaning Emmet must have been through. The tree is tied to a legend about a child’s spirit that out of loneliness drowns travelers, with the dolls being an attempt to comfort her and pacify her. Once again, the paranormal legend turns out to be true, though I’ll spare the spoilers of what happens with it.

In this episode, I admittedly found the doll tree creepy. (And there’s a creepy doll… that always follows you… it’s got a ruined eye…that’s always…open… Though seriously, go download that song. Jonathan Coulton is awesome and I love that song, and yes you can get it for free legitimately.) I’m one of those people who does get kind of freaked by dolls. And I’ve heard this legend before, though they’ve taken a few liberties from the one that I know. (The one I know of is the Isla De Las Muñecas, or Island of Dolls, and is actually something of a creepy tourist destination.) But at the same time, it felt a bit like “HEY, THIS IS CREEPY! ARE YOU CREEPED OUT YET? BE CREEPED OUT.” Maybe it’s just that I watch a lot of horror, so I’m familiar with a lot of the tropes. But while dolls are pretty creepy in their own ways, it seems like just such a stock “now you’re afraid, yes?” that it felt a little lazy and uncreative. But hey, it was still pretty unsettling.

Anyway, in terms of quality, the show is pretty average. It has good points and bad points, for sure. Positives include some of the things I mentioned above, with at least somewhat competent writing in terms of character introduction and a reasonably interesting story. Unfortunately, the acting is inconsistent in quality, with some truly cringe-worthy moments but some pretty good performances as well. The effects are nothing special, but they’re passable for a TV series. Other times, the writing feels a bit lazy and like it’s just trying to force the plot forward, rather than having it develop naturally. There are some badly explained shortcuts, like insisting they’ll be able to recognize locations from Emmet's tapes, which I find ridiculous. If you’re not immensely familiar with the setting, all the trees along the Amazon river are going to look a lot like all the other trees along the Amazon river. And when the tapes are of parts of the inner jungle, not even bordering the river, it’s even more suspect that people unfamiliar with the area will know where to go to find him. There’s also some kind of shoddy research or explanations given, like with the dolls and the insistence that “well, originally dolls were used to house the spirits of the dead.” Again, I’m nit-picking based on personal interests and knowledge, but while in some cultures this is true, it’s not true of the whole damn world.

While the show probably isn’t destined to go into the annals of time as a Great Series, it does manage to be entertaining enough and have enough in the way of dangled plot threads that I’ll keep tuning in. It’s not perfect, and the flaws are pretty apparent in some cases, but it’s at least captured my interest for the time being.